Poetry: Overview
Your guide to all things poetical, including links to the library catalog, web sites about poetry, connections to poetry happenings locally, and links to Poets in the Libraries readings.
Poetry in Action
Use these tabs to find online assistance and information about local poets.
Includes 
A series of readings at each of the library branches with featured poets and readings by community poets who live nearby. The series is hosted by Albuquerque Poet Laureate Mary Oishi, with library staff talking about the history and features of each library.
- Poetry PlayhouseA place for poetry and play. Featuring visiting poets, writing workshops and classes, retreats, readings, and events.
- Poet-Heart - Poetry Group in AlbuquerquePoetry group through meetup.com with a cooperative bulletin board for events, writer's groups, slams, conventions, and "madcap adventures."
- ABQ SlamsABQSlams provides support and opportunities as well as publicizes events, educational programming through Albuquerque Public Schools, the Albuquerque correctional system and UNM.
- New Mexico State Poetry SocietyMission is to foster the appreciation and creation of poetry in the state of New Mexico. Chapters of the Society choose their own format and activities, which range from workshops, writing activities, round-robins, and youth programs.
- Shelter In Poems This National Poetry Month, we ask our readers to share a poem from our Poets.org collection that helps to find courage, solace, and actionable energy, and a few words about how or why it does so. As responses continue to arrive from across the globe, we invite you to continue sharing poems on social media with the hashtag #ShelterInPoems or by writing to us at shelter@poets.org. Whether you’re writing in or tagging us on twitter, facebook, or instagram, we will select some of your responses to feature on this special Shelter in Poems page.
Poet's MarketThe Most Trusted Guide to Publishing Poetry! Want to get your poetry published? There's no better tool for making it happen than Poet's Market 2020, which includes hundreds of publishing opportunities specifically for poets, including listings for book and chapbook publishers, print and online poetry publications, contests, and more. These listings include contact information, submission preferences, insider tips on what specific editors want, and--when offered--payment information. In addition to the completely updated listings, the 33nd edition of Poet's Market offers articles devoted to the craft and business of poetry, including the art of finishing a poem, ways to promote your new book, habits of highly productive poets, and more.
Books on Writing Poetry for All Ages
Books on Writing Poetry
For Kids and Teens
Immersed in Verse by
Poetry's hip, poetry's hot, and poetry's a blast with this cool, contemporary guide created in the same entertaining style as the popular In Print! Kids instinctively love poetry--its rhythm, its rhymes, and its playful transformation of ordinary language. And these days, such cutting-edge, youthful forms as rap, hip-hop, and slams have made poetry more relevant than ever. With its fun facts, exciting writing activities, and words of encouragement from a respected professional, Immersed in Verse nurtures the nascent poet in every child. Best of all, these awe-inspiring ideas have nothing in common with blah school assignments. Instead, youngsters rearrange their favorite (or least favorite) poems; start their own poetry workshop; present #147;open mike night” in the basement; and record their friends reciting. Along the way, they'll open more than a few #147;poet's toolboxes.” They'll explore the wonderful world of words and learn about attitude, equipment, techniques (including #147;metaphors be with you”), different styles of verse, revising your writing, getting published, and performing.nbsp; Allan Wolf has served as the educational director for the national touring company Poetry Alive! His books include The Blood-Hungry Spleen and Other Poems about Our Parts and New Found Land. He lives in North Carolina with his wife and three children. A Selection of the Children's Book of the Month Club.
Pizza, Pigs, and Poetry by
Have you ever tried to write a poem about a pizza? How about a pig? How about a pigeon, penguin, potato, Ping-Pong, parrot, puppy, pelican, porcupine, pie, pachyderm, or your parents? Jack Prelutsky has written more than one thousand poems about all of these things--and many others. In this book he gives you the inside scoop on writing poetry and shows you how you can turn your own experiences and stories about your family, your pets, and your friends into poems. He offers tips, advice, and secrets about writing and provides some fun exercises to help you get started (or unstuck). You'll also get a behind-the-scenes look at the ingredients of some of his most popular poems. If you are a poet, want to be a poet, or if you have to write a poem for homework and you just need some help, then this is the book for you!
Poetry Matters by
Maybe you've heard before that poetry is magic, and it made you roll your eyes, but I believe it's true. Poetry matters. At the most important moments, when everyone else is silent, poetry rises to speak. I wrote this book to help you write poems and to give practical ideas for making your poems sound the way you want them to sound. We're not going to smash poems up into the tiniest pieces. This book is about writing poetry, not analyzing it. I want this book to help you have more wonderful. moments in the poetry you write. I want you to feel the power of poetry. it's my hope that through this book you will discover lots of ways to make your poems shine, sing, soar... -- Ralph Fletcher
Sophie and Sadie Build a Sonnet by
Friends Sophie and Sadie learn how to write sonnets with the help of their after-school program teacher.
How to Write a Poem by
All successful people are effective communicators. This series forms a complete set of how-to-references that give young people a solid grounding and practical pointers in all areas of spoken and written communications. Includes a bibliography, a glossary, and an index.
Catch Your Breath by
"Introduces and defines essential elements of writing poetry accompanied by compelling writing prompts for practicing new skills. Real-life author bios and excerpts enhance skills and understanding"--
What Is Poetry?: the Essential Guide to Reading and Writing Poems by
Celebrated poet and critic Michael Rosen takes readers on a whirlwind tour exploring what poems are, what they can do, and the joys of reading and writing them. For thousands of years, people have been writing poetry. But what is poetry? Award-winning wordsmith Michael Rosen has spent decades thinking about that question, and in this helpful guide he shares his insights with humor, knowledge, and appreciation -- appreciation for poetry and appreciation for twenty-first-century children embarking on their own poetic journeys. Young readers are invited to join him on a welcoming exploration of the British poetic canon, replete with personal insights into what the renowned poet thinks about as he writes and advice on writing their own poetry. When he's finished, readers will be able to say with confidence: this is poetry. Included in this accessible handbook are writing tips, analyses of classic poems, and an appendix of poets and useful websites.
For Adults
Write a Poem, Save Your Life by
"Join Heller on her quest to help save the world, one poet at a time." -- from the foreword by Susan G. Wooldridge Write a Poem, Save Your Life helps writers of all ages and experience levels navigate their way through all aspects of life. With writing prompts, tools, encouragement, and moving student examples, Meredith Heller gently guides us in the art of using poetry to figure out who we are and what matters to us and to heal the deeper issues many of us face, such as depression, addiction, health and body image issues, low self-esteem, trauma, gender and sexual identity issues, and home and family problems. Along the way, we learn that writing poems helps us believe in ourselves, make positive life choices, and find direction, purpose, and meaning.
Hewitt's Guide to Slam Poetry and Poetry Slam by
All successful people are effective communicators. This series forms a complete set of how-to-references that give young people a solid grounding and practical pointers in all areas of spoken and written communications. Includes a bibliography, a glossary, and an index.
Ordinary Genius by
"The creative process is just that," maintains Kim Addonizio. "Not a means to an end, but an ongoing participation." A widely acclaimed poet and finalist for the National Book Award, Addonizio meditates on her own process as she encourages writers to explore both their personal and political worlds, to seek inspiration from poets new and old, and to discover the rich poetic resources of the Internet. Lively, accessible, and informative, Ordinary Genius?provides wisdom gleaned through personal experience and offers a heady variety of writing exercises. Chapters on gender, addiction, race and class, metaphor and line invite each individual writer to find and to hone his or her unique voice. This is the perfect book for both experienced writers and beginners eager to glimpse the angel of poetry.
The Ode Less Travelled by
I have a dark and dreadful secret. I write poetry... I believe poetry is a primal impulse within all of us. I believe we are all capable of it and furthermore that a small, often ignored corner of us positively yearns to try it. Stephen Fry, The Ode Less Travelled Stephen Fry believes that if one can speak and read English, one can write poetry. Many of us have never been taught to read or write poetry and think of it as a mysterious and intimidating form. Or, if we have been taught, we remember uncomfortable silence when an English teacher invited the class to "respond" to a poem. In The Ode Less Travelled, Fry sets out to correct this problem by giving aspiring poets the tools and confidence they need to write poetry for pleasure.Fry is a wonderfully engaging teacher and writer of poetry himself, and he explains the various elements of poetry in simple terms, without condescension. His enjoyable exercises and witty insights introduce the concepts of Metre, Rhyme, Form, Diction, and Poetics. Aspiring poets will learn to write a sonnet, on ode, a villanelle, a ballad, and a haiku, among others. Along the way, he introduces us to poets we've heard of, but never read. The Ode Less Travelledis a lively celebration of poetry that makes even the most reluctant reader want to pick up a pencil and give it a try. BACKCOVER: Advanced Praise: Delightfully erudite, charming and soundly pedagogical guide to poetic form
Fry has created an invaluable and highly enjoyable reference book. Publishers Weekly A smart, sane and entertaining return to the basics
If you like Frys comic manner
this book has a lot of charm
People entirely fresh to the subject could do worse than stick with his cheerful leadership. The Telegraph(UK)
intelligent and informative, a worthy enterprise well executed. Observer(UK) "If you learn how to write a sonnet, and Fry shows you how, you may or may not make a poem. But you will unlock the stored wisdom of the form itself." Grey Gowrie, The Spectator(UK)
intelligent and informative, a worthy enterprise well executed. Observer(UK)
Rules for the Dance by
"True ease in writing comes from art, not chance, / As those move easiest who have learn'd to dance," wrote Alexander Pope. "The dance," in the case of Oliver's brief and luminous book, refers to the interwoven pleasures of sound and sense to be found in some of the most celebrated and beautiful poems in the English language, from Shakespeare to Edna St. Vincent Millay to Robert Frost. With a poet's ear and a poet's grace of expression, Oliver shows what makes a metrical poem work - and enables readers, as only she can, to "enter the thudding deeps and the rippling shallows of sound-pleasure and rhythm-pleasure that intensify both the poem's narrative and its ideas."
The Poetry Home Repair Manual by
Recently appointed as the new U. S. Poet Laureate, Ted Kooser has been writing and publishing poetry for more than forty years. In the pages of The Poetry Home Repair Manual, Kooser brings those decades of experience to bear. Here are tools and insights, the instructions (and warnings against instructions) that poets—aspiring or practicing—can use to hone their craft, perhaps into art. Using examples from his own rich literary oeuvre and from the work of a number of successful contemporary poets, the author schools us in the critical relationship between poet and reader, which is fundamental to what Kooser believes is poetry’s ultimate purpose: to reach other people and touch their hearts.   Much more than a guidebook to writing and revising poems, this manual has all the comforts and merits of a long and enlightening conversation with a wise and patient old friend—a friend who is willing to share everything he’s learned about the art he’s spent a lifetime learning to execute so well.
Singing School by
Quick, joyful, and playfully astringent, with surprising comparisons and examples, this collection takes an unconventional approach to the art of poetry. Instead of rules, theories, or recipes, emphasizes ways to learn from great work: studying magnificent, monumentally enduring poems and how they are made— in terms borrowed from the “singing school” of William Butler Yeats’s “Sailing to Byzantium.”
Lessons from a Desperado Poet by
118 tips from America's Cowboy Poet on how to carve a living out of thin air and live with yourself while you do it "Probably the nation's most successful living poet." New York TimesPart memoir, part how-to, all Baxter Black, Lessons from a Desperado Poet is a humorous, witty take on making a living by doing the right thing and trying everything. According to Baxter Black, success "does not require a genius; it just requires the persistence of a glacier. Remember, often it's not ability that gets you ahead, it's reliability. The world is run by those who show up." A mind-tickling romp through the formation, fermentation, and fruition of the author's career as a poet in a country where publishing poetry is "practically illegal," Lessons from a Desperado Poet boldly injects a poem now and again when it is relevant, just to prove a point It's instructional for the entrepreneur, inspirational for the ambitious, and entertaining for the teeming masses. Since it is also a story of continuously overcoming the odds, Lessons from a Desperado Poet leaves a trail of self-improvement and motivational tortilla crumbs that readers will follow with delight before, that is, squirreling them away in their own cerebral pockets for later use."
You, Too, Could Write a Poem by
A collection of reviews and essays by David Orr, the New York Times poetry columnist and one of the most respected critics in America today, his best work of the past fifteen years in one place Poetry is never more vital, meaningful, or accessible than in the hands of David Orr. In the pieces collected here, most of them written originally for the New York Times, Orr is at his rigorous, conversational, and edifying best. Whether he is considering the careers of contemporary masters, such as Louise Gl#65533;ck or Frederick Seidel, sizing up younger American poets, like Matthea Harvey and Matthew Zapruder, or even turning his attention to celebrities and public figures, namely Oprah Winfrey and Stephen Fry, when they choose to wade into the hotly contested waters of the poetry world, Orr is never any less than fully persuasive in arguing what makes a poem or poet great--or not. After all, as Orr points out in his introduction, "Poetry is a lot like America, in the sense that liking all of it means that you probably shouldn't be trusted with money, or scissors." Orr's prose is devoted to common sense and clarity, and, in every case, he brings to bear an impeccable ear, an openhandedness of spirit, and a deep wealth of technical knowledge--to say nothing of his shrewd sense of humor. As pleasurable as it is informative, Orr's journalism represents a high watermark in the public discussion of literature. You, Too, Could Write a Poem is at heart a love note to poetry itself. From the Trade Paperback edition.
Call Number: eBook
How Poems Get Made by
Why does a great lyric poem ask to be reread, even after we know it by heart? In How Poems Get Made, acclaimed poet and critic James Longenbach answers this question by discussing a wide range of exemplary poems, from Shakespeare through Blake, Dickinson, and Moore, to a variety of poets making poems today. In each chapter of How Poems Get Made, Longenbach examines a specific aspect of the poetic medium--including Diction, Syntax, Rhythm, Echo, Figure, and Tone--and shows how a poet may manipulate these most basic elements to bring a poem to life.
Making of a Poem by
"Concise, learned, revisionary... should enrich the passionate conversation about poetic forms for years to come."-- Edward Hirsch, author of How to Read a Poem and Fall in Love with Poetry Two of our foremost poets provide here a lucid, straightforward primer that "looks squarely at some of the headaches and mysteries of poetic form": a book for readers who have always felt that an understanding of form (sonnet, ballad, villanelle, sestina, among others) would enhance their appreciation of poetry. Tracing "the exuberant history of forms," they devote one chapter to each form, offering explanation, close reading, and a rich selection of examplars that amply demonstrate the power and possibility of that form.
Recent Poetry Titles for All Ages
New Poetry Titles
For Kids and Teens
Free at Last by
This lyrical celebration of Juneteenth, deeply rooted in Black American history, spans centuries and reverberates loudly and proudly today. After 300 years of forced bondage; hands bound, descendants of Africa picked up their souls--all that they owned-- leaving shackles where they fell on the ground, headed for the nearest resting place to be found. Deeply emotional, evocative free verse by poet and activist Sojourner Kincaid Rolle traces the solemnity and celebration of Juneteenth from its 1865 origins in Galveston, Texas to contemporary observances all over the United States. This is an ode to the strength of Black Americans and a call to remember and honor a holiday whose importance reverberates far beyond the borders of Texas.
Zoobilations! by
Discover the poetry of the animal kingdom in this seriously silly picture book full of clever puns and curious illustrations by celebrated poet Douglas Florian. Come horse around and live out your ele-phant-asies in this utterly original collection of animal poems. From the s t r e t c h of a giraffe's neck to the smooth skin of a naked mole rat, readers will see animals in a whole new way--and laugh like hyenas as they turn each pun-filled page.
Serengeti by
Award-winning science poetry master Leslie Bulion presents a lyrical salute to Africa's Serengeti Plain, one of the most spectacular and productive ecosystems on Earth. Leslie Bulion, a virtuoso science poet, has created a portrait of the rainy season on East Africa's southern Serengeti Plain, offering young readers a compelling look at an ecosystem in motion. Using a series of interconnected verses inspired by an East African Swahili poem form - the utendi - Bulion's cadences and rhythmic lines mimic the web of life in the Serengeti, following the great migration of wildebeest, zebras, and others into and then out of the vast short-grass plain. Lush, evocative gouache illustrations by Becca Stadtlander showcase the grandeur of this immense and complex ecosystem and provide close-up details of its wildlife inhabitants. Scientific notes on each spread and comprehensive back matter material offer more specifics. This, paired with Bulion's brilliant poetic form, make the book ideal for cross-curricular learning. Also from Leslie Bulion: Amphibian Acrobats At the Sea Floor Café Leaf Litter Critters Random Body Parts Spi-Ku Superlative Birds
Wave by
A coming-of-age novel in verse set in 1980s Southern California, about a Persian American girl who rides the waves, falls, and finds her way back to the shore Thirteen-year-old Ava loves to surf and to sing. Singing and reading Rumi poems settle her mild OCD, and catching waves with her best friend, Phoenix, lets her fit in--her olive skin looks tan, not foreign. But then Ava has to spend the summer before ninth grade volunteering at the hospital, to follow in her single mother's footsteps to become a doctor. And when Phoenix's past lymphoma surges back, not even surfing, singing, or poetry can keep them afloat, threatening Ava's hold on the one place and the one person that make her feel like she belongs. With ocean-like rhythm and lyricism, Wave is about a girl who rides the waves, tumbles, and finds her way back to the shore.
Call Number: YA
Ain't Burned All the Bright by
Prepare yourself for something unlike anything: A smash-up of art and text for teens that viscerally captures what it is to be Black. In America. Right Now. Written by #1 New York Times bestselling and award-winning author Jason Reynolds. Jason Reynolds and his best bud, Jason Griffin had a mind-meld. And they decided to tackle it, in one fell swoop, in about ten sentences, and 300 pages of art, this piece, this contemplation-manifesto-fierce-vulnerable-gorgeous-terrifying-WhatIsWrongWithHumans-hope-filled-hopeful-searing-Eye-Poppingly-Illustrated-tender-heartbreaking-how-The-HECK-did-They-Come-UP-with-This project about oxygen. And all of the symbolism attached to that word, especially NOW. And so for anyone who didn't really know what it means to not be able to breathe, REALLY breathe, for generations, now you know. And those who already do, you'll be nodding yep yep, that is exactly how it is.
Call Number: YA
Out of This World by
This companion to Earth Verse: Haiku from the Ground Up soars into space with a perfect fusion of poetry and science, accompanied by breathtaking illustrations. one minuscule speck grows into the universe a mind-boggling birth This stunning meeting of poetic form and luminous artwork transports us out of the bounds of Earth, past a lunar eclipse, beyond the orbiting planets, and into glowing galaxies and twinkling constellations. Sally M. Walker uses her award-winning skill as a writer of nonfiction to explore space through clever haiku, accompanied by narrative explanations of wonders that are out of this world. Illustrator Matthew Trueman imagines the explosive Big Bang and awe-inspiring meteor showers in spectacular views that no telescope could offer. Comprehensive, well-researched back matter further explores such topics as constellations and astronomers, the birth of the universe, stars, the solar system, moons and eclipses, asteroids, meteors, and comets, as well as a glossary of terms, a bibliography, and online resources for readers with an eye to what lies beyond Earth.
The Last Straw: Kids vs. Plastics by
"Thoughtful and thought-provoking, this book will plant the seeds of environmental activism in young readers." --Kirkus (starred review) "I encourage everyone to read this book." --Dr. Jane Goodall There's no doubt about it--plastic is in almost everything. From our phones and computers to our toys and utensils, plastic is everywhere. But the amount of plastic we throw away is hurting the health of our planet. With The Last Straw: Kids vs. Plastics, readers will be fascinated as they learn about the growing plastic problem and meet just a few of the young activists who are standing up and speaking out for change. You'll hear about the "Be Straw Free" campaign, started by nine-year-old Milo Cress. You'll discover how scientists are using jellyfish snot and munching, crunching caterpillars to break down plastic pollution faster. You'll meet Xóchitl Guadalupe Cruz López, the eight-year-old girl turning old plastic bottles into solar heaters. And there are many more incredible kids here, not much older than our readers, who will inspire us all to change the way we think about plastic! With an introduction from Milo Cress and bright, colorful illustrations from Christiane Engel, this collection of brilliant, lyrical nonfiction poems by award-winning author Susan Hood highlights the threat of plastic and the kids who are fighting for change to save our planet. Includes extensive backmatter with a timeline, author's note, further resources, and more.
Sakamoto's Swim Club by
The inspirational and little-known story of a dedicated teacher who coached Hawaiian swimmers all the way to the Olympics, beautifully told in simple rhyme. When the children of workers on a 1930s Maui sugar plantation were chased away from playing in the nearby irrigation ditches, local science teacher Soichi Sakamoto began training them how to swim. Sakamoto devised his own innovative coaching techniques, building their strength and endurance. The children formed a swim club and began to dominate in swimming events around the world. And then one day, the proud Sakamoto saw an impossible dream come true - Olympic gold!
Sweet People Are Everywhere (Children Around the World Books, Diversity Books) by
This beautiful picture book by renowned author Alice Walker focuses on a common thread of the 'sweet people' who can be found all over the world. The poem addresses a young boy getting his first passport, taking the boy - and the reader - on a journey through a series of countries around the globe. The poem is a powerful celebration of humanity and globalism, embodying a generosity of spirit that is inspiring, timely, and timeless. The evocative free verse poem was first published in Walker's 2018 poetry collection Taking the Arrow Out of the Heart, winner of the NAACP Image Award for Outstanding Literary Work.
You Don't Have to Be Everything by
Poems to Turn to Again and Again - from Amanda Gorman, Sharon Olds, Kate Baer, and More Created and compiled just for young women, You Don't Have to Be Everything is filled with works by a wide range of poets who are honest, unafraid, and skilled at addressing the complex feelings of coming-of-age, from loneliness to joy, longing to solace, attitude to humor. These unintimidating poems offer girls a message of self-acceptance and strength, giving them permission to let go of shame and perfectionism. The cast of 68 poets is extraordinary: Amanda Gorman, the first National Youth Poet Laureate, who read at Joe Biden's inauguration; bestselling authors like Maya Angelou, Elizabeth Acevedo, Sharon Olds, Naomi Shihab Nye, and Mary Oliver; Instagram-famous poets including Kate Baer, Melody Lee, and Andrea Gibson; poets who are LGBTQ, poets of diverse racial and cultural backgrounds, poets who sing of human experience in ways that are free from conventional ideas of femininity. Illustrated in full color with work by three diverse artists, this book is an inspired gift for daughters and granddaughters--and anyone on the path to becoming themselves. No matter how old you are, it helps to be young when you're coming to life, to be unfinished, a mysterious statement, a journey from star to star. --Joy Ladin, excerpt from "Survival Guide"
For Adults
The World Keeps Ending, and the World Goes On by
Named A Most Anticipated Book by: LitHub * Vulture * Time * A PW 2022 Holiday Gift Pick From acclaimed poet Franny Choi comes a poetry collection for the ends of worlds--past, present, and future. Choi's third book features poems about historical and impending apocalypses, alongside musings on our responsibilities to each other and visions for our collective survival. Many have called our time dystopian. But The World Keeps Ending, and the World Goes On reminds us that apocalypse has already come in myriad ways for marginalized peoples. With lyric and tonal dexterity, these poems spin backwards and forwards in time--from Korean comfort women during World War II, to the precipice of climate crisis, to children wandering a museum in the future. These poems explore narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal. As she wrestles with the daily griefs and distances of this apocalyptic world, Choi also imagines what togetherness--between Black and Asian and other marginalized communities, between living organisms, between children of calamity and conquest--could look like. Bringing together Choi's signature speculative imagination with even greater musicality than her previous work, The World Keeps Ending, and the World Goes On ultimately charts new paths toward hope in the aftermaths, and visions for our collective survival.
Landscape with Bloodfeud by
Scarred by nuclear smokestacks, oil wells, and surging floodwaters, and haunted by the legacies of slavery, racism, and French rule, the Louisiana of Landscape with Bloodfeud is disenchanted but still exerts an undeniable pull. Reckoning with displacement, ancestral guilt, and centuries of human and environmental exploitation, Wendy Barnes dissects the state's turbulent past--as a microcosm of colonial oppression, westward expansion, and the birth of global capitalism. With an expat's detachment, our Louisiana-born speaker contemplates her fraught relationship with her home culture and her white working-class roots, raising questions about complicity and shame, as history "bleeds us all for its tax, some for more, / digging down into every wet wound, / digging down among the taproots, under old folks' / marble tombs or unmarked graves."
Girls That Never Die by
NATIONAL BESTSELLER * Intimate poems that explore feminine shame and violence and imagine what liberation from these threats might look like, from the award-winning author of The January Children "Incredibly moving . . . Every single poem is stellar."--Roxane Gay, author of Difficult Women and Hunger In Girls That Never Die, award-winning poet Safia Elhillo reinvents the epic to explore Muslim girlhood and shame, the dangers of being a woman, and the myriad violences enacted and imagined against women's bodies. Drawing from her own life and family histories, as well as cultural myths and news stories about honor killings and genital mutilation, she interlaces the everyday traumas of growing up a girl under patriarchy with magical realist imaginings of rebellion, autonomy, and power. Elhillo writes a new world: women escape their stonings by birds that carry the rocks away; slain girls grow into two, like the hydra of lore, sprouting too numerous to ever be eradicated; circles of women are deemed holy, protected. Ultimately, Girls That Never Die is about wrestling ourselves from the threats of violence that constrain our lives, and instead looking to freedom and questioning: [what if i will not die] [what will govern me then]
Revenge Body by
Revenge Body is a poetry collection that explores anger (righteous and not), black identity, body image, loss, want, and mental health.
Dear God. Dear Bones. Dear Yellow by
What is political poetry and linguistic activism? What does it mean to bear witness through writing? When language proves insufficient, how do we find and articulate a pathway forward? Dear God. Dear Bones. Dear Yellow. interrogates, subverts, and expands these questions through poems that are formally and lyrically complex, dynamic, and innovative. With rich intertextuality and an unwavering eye, Noor Hindi explores and interrogates colonialism, religion, patriarchy, and the complex intersections of her identity. Featuring her widely circulated poem, "Fuck Your Lecture on Craft, My People Are Dying," this book is an incomparable force of fury and precision from a powerful and unstoppable poet. Noor Hindi's collection is ultimately a provocation: on trauma, on art, and on what it takes to truly see the world for what it is/isn't and change it for the better.
Orlam by
Nine-year-old Ira-Abel Rawles lives on Hook Farm in the village of UNDERWHELEM. Next to the farm is Gore Woods, Ira's sanctuary, overseen by Orlam, the all-seeing lamb's eyeball who is Ira-Abel's guardian and protector. Here, drawing on the rituals, children's songs, chants and superstitions of the rural West Country of England, Ira-Abel creates the twin realm through which she can make sense of an increasingly confusing and frightening world. Orlam follows Ira and the inhabitants of UNDERWHELEM month by month through the last year of her childhood innocence. The result is a poem-sequence of light and shadow - suffused with hints of violence, sexual confusion and perversion, the oppression of family, but also ecstatic moments in sunlit clearings, song and bawdy humour. The broad theme is ultimately one of love - carried by Ira's personal Christ, the constantly bleeding soldier-ghost Wyman-Elvis, who bears 'The Word': Love Me Tender. Orlam is not only a remarkable coming-of-age tale, but the first full-length book written in the Dorset dialect for many decades. Orlam also reveals P J Harvey as not only one of the most talented songwriters of the age, but a gifted poet - whose formal skill, transforming eye and ear for the lyric line has produced a strange and moving poem like no other.
More Fiya: A New Collection of Black British Poetry by
In this blistering anthology, poet, editor and DJ Kayo Chingonyi brings together a selection of exceptional Black British poets. This is his dream mixtape featuring a cross-generational span of current poets extending and inhabiting the spirits of the ancestors. Following in the tread of Lemn Sissay's The Fire People, More Fiya aims to lodge in the mind of its readers for a lifetime, radiating to touch the lives of many.
Including work from: Jason Allen-Paisant, Raymond Antrobus, Malika Booker, Eric Ngalle Charles, Dzifa Benson, Inua Ellams, Samatar Elmi, Khadijah Ibrahim, Keith Jarrett, Anthony Joseph, Safiya Kinshasa Kamara, Vanessa Kisuule, Rachel Long, Adam Lowe, Nick Makoha, Karen McCarthy Woolf, Momtaza Mehri, Bridget Minamore, Selina Nwulu, Gboyega Odubanjo, Louisa Adjoa Parker, Roger Robinson, Denise Saul, Kim Squirrel, Warsan Shire, Rommi Smith, Yomi Sode, Degna Stone, Keisha Thompson, Warda Yassin, Belinda Zhawi
Pura Puta by
Pura Puta, the debut collection from slam champion Anna C. Martinez, tells the many stories of Woman-sensual, erotic, visceral, tragic, and always, always powerful-through Martinez's own life and the other women in her family in Los Angeles and northern New Mexico. The pieces dance with the unmistakable cadence of performance poetry and spring forth both tears and exuberance. Nearly nothing in this book is easy, because her life has not been easy either. But triumph counters trauma, and the poems return to an eternal freedom, hard-earned through all the stages of her life. These are stories that need heard, from a poet who demands your full heart.
Your Emergency Contact Has Experienced an Emergency by
What happens when everything falls away, when those you call on in times of need are themselves calling out for rescue? In his highly anticipated second collection, Chen Chen continues his investigation of family, both blood and chosen, examining what one inherits and what one invents, as a queer Asian American living through an era of Trump, mass shootings, and the COVID-19 pandemic. Always at work in the wrecked heart of this new collection is a switchboard operator, picking up and connecting calls. Raucous 2 a.m. prank calls. Whispered-in-a-classroom emergency calls. And sometimes, its pages record the dropping of a call, a failure or refusal to pick up. With irrepressible humor and play, these anarchic poems celebrate life, despite all that would crush aliveness. Hybrid in form and set in New England, West Texas, and a landlocked province of China, among other places, Your Emergency Contact Has Experienced an Emergency refuses neat categorizations and pat answers. Instead, the book offers an insatiable curiosity about how it is we keep finding ways to hold onto one another.
Iguana Iguana by
Alive to the beauty and anxiety of new worlds and people, Iguana Iguana imagines a tough and tender soundtrack for tumbleweeds in search of roots. Recursive, deliberate, and as adaptive as their titular lizard, these poems invite us to listen so as to better hear "...the sweet shriek / of those far-off trains you suspect are coming / to claim you. To lay open the hills you haven't seen." Caylin Capra-Thomas writes towards understanding the strangers we meet and knowing the stranger within. In doing so, she maps a blueprint for "lay[ing] into the world / like it's good enough".
Balladz by
NATIONAL BOOK AWARD FINALIST * Songs from our era of communal grief and reckoning--by the Pulitzer Prize and T. S. Eliot Prize for Poetry winner, called "a poet for these times, a powerful woman who won't back down" (San Francisco Chronicle). "At the time of have-not, I look at myself in this mirror," writes Olds in this self-scouring, exhilarating volume, which opens with a section of quarantine poems, and at its center boasts what she calls Amherst Balladz (whose syntax honors Emily Dickinson: "she was our Girl - our Woman - / Man enough - for me") and many more in her own contemporary, long-flowing-sentence rhythm. Olds sings of her childhood, young womanhood, and maturity all mixed up together, seeing an early lover in the one who is about to buried; seeing her whiteness, seeing her privilege; seeing her mother (whom her readers will recognize) "flushed exalted at Punishment time"; seeing how we've spoiled the earth but carrying a stray indoor spider carefully back out to the garden. It is Olds's gift to us that in the richly detailed exposure of her sorrows she can still elegize songbirds, her true kin, and write that heaven comes here in life, not after it.
The Hurting Kind by
An astonishing collection about interconnectedness--between the human and nonhuman, ancestors and ourselves--from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limón. "I have always been too sensitive, a weeper / from a long line of weepers," writes Limón. "I am the hurting kind." What does it mean to be the hurting kind? To be sensitive not only to the world's pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings--and to know that those beings are resolutely their own, that they "do not / care to be seen as symbols"? With Limón's remarkable ability to trace thought, The Hurting Kind explores those questions--incorporating others' stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families. Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. "Slippery and waddle thieving my tomatoes still / green in the morning's shade," writes Limón of a groundhog in her garden, "she is doing what she can to survive."
Human Resources by
Winner of the Max Ritvo PoetryPrize, Ryann Stevenson's Human Resources is a sobering andperceptive portrait of technology's impact on connection and power. Human Resources followsa woman working in the male-dominated world of AI, designing women that don'texist. In discerning verse, she workshops thefacial characteristics of a floating head named "Nia," who her boss calls "histype"; she loses hours researching "June," an oddly sexualized artificiallyintelligent oven; and she spends a whole day "trying to break" a femaleself-improvement bot. Thespeaker of Stevenson's poems grapples with uneasiness and isolation, even asshe endeavors to solve for these problems in her daily work. She attempts toharness control by eating clean, doing yoga, and searching for age-defying skincare, though she dreams "about the department / that women get reassigned toafter they file / harassment complaints." With sharp, lyrical intelligence, sheimagines alternative realities where women exist not for the whims of men butfor their own--where they become literal skyscrapers, towering over a world thatnever appreciated them. Chilling and lucid, HumanResources challenges the minds programming our present and future to considerwhat serves the collective good. Something perhaps more thoughtful and human,Stevenson writes: "I want to say better."
Canopy by
A long-awaited yet startlingly urgent new collection from "a contemporary master"*--a fierce, big-hearted eye on our last, tumultuous decade, and our fragile environment *Los Angeles Review of Books Linda Gregerson's long-awaited new collection is a tour de force, a compendium of lives touched by the radical fragility of the planet and, ultimately, the endless astonishment and paradox of being human within the larger ecosystem, "in a world where every breath I take is luck." From the Syrian refugee and ecological crises, to police brutality and COVID, to the Global Seed Vault buried under permafrost, the poems ask: How does consciousness relate to the individual body, the individual to the communal, the community to our environment How do we mourn a loved one, and how do we mourn strangers The magnificent poems in Canopy catalogue and reckon with humanity and the natural world, mortality, rage, love, grief, and survival.
A Year and Other Poems by
From the celebrated author of feeld comes a formally commanding third collection, dexterously recounting the survival of a period suffused with mourning. Jos Charles's poems communicate with one another as neurons do: sharp, charged, in language that predates language. "A scandal / three cartons red / in a hedge / in / each the thousand eye research of flies." With acute lyricism, she documents how a person endures seemingly relentless devastation--California wildfires, despotic legislation, housing insecurity--amid illusions of safety. "I wanted to believe," Charles declares, "a corner a print leaned to / a corner can save / a people." Still the house falls apart. Death visits and lingers. Belief proves, again and again, that belief alone is not enough. Yet miraculously, one might still manage to seek--propelled by love, or hope, or sometimes only momentum--something better. There is a place where there are no futile longings, no persistent institutional threats to one's life. Poems might take us there; tenderness, too, as long as we can manage to keep moving. "A current / gives as much as it has," writes Charles--despite fire, despite loss. Harrowing and gorgeous, a Year & other poems is an astonishing new collection from a poet of "unusual beauty and lyricism" (New Yorker).
Catching the Light by
U.S. Poet Laureate and winner of the 2022 Academy of American Poets Leadership Award Joy Harjo examines the power of words and how poetry summons us toward justice and healing "Her enduring message--that writing can be redemptive--resonates: 'To write is to make a mark in the world, to assert "I am."' The result is a rousing testament to the power of storytelling."--Publishers Weekly "Harjo writes as if the creative journey has been the destination all along."--Kirkus Reviews In this lyrical meditation about the why of writing poetry, Joy Harjo reflects on significant points of illumination, experience, and questioning from her fifty years as a poet. Composed of intimate vignettes that take us through the author's life journey as a youth in the late 1960s, a single mother, and a champion of Native nations, this book offers a fresh understanding of how poetry functions as an expression of purpose, spirit, community, and memory--in both the private, individual journey and as a vehicle for prophetic, public witness. Harjo insists that the most meaningful poetry is birthed through cracks in history from what is broken and unseen. At the crossroads of this brokenness, she calls us to watch and listen for the songs of justice for all those America has denied. This is an homage to the power of words to defy erasure--to inscribe the story, again and again, of who we have been, who we are, and who we can be.
Renditions by
An energetic exploration of the expanse of language translated and otherwise transformed In Renditions Reginald Gibbons conducts an ensemble of poetic voices, using the works of a varied, international selection of writers as departure points for his translations and transformations. The collection poses the idea that all writing is, at least abstractly, an act of translation, whether said act "translates" observation into word or moves ideas from one language to another. Through these acts of transformation, Gibbons infuses the English language with stylistic aspects of other languages and poetic traditions. The resulting poems are imbued with a sense of homage that allows us to respectfully reimagine the borders of language and revel in the fellowship of idea sharing. In this tragicomedy of the human experience and investigation of humanity's effects, Gibbons identifies the "shared underthoughts that we can (all) sense:" desire, love, pain, and fervor.
Iron Goddess of Mercy by
Iron Goddess of Mercy by Lambda Literary Award winner Larissa Lai (for the novel The Tiger Flu) is a long poem that captures the vengeful yet hopeful movement of the Furies mid-whirl and dance with them through the horror of the long now. Inspired by the tumultuous history of Hong Kong, from the Japanese and British occupations to the ongoing pro-democracy protests, the poem interrogates the complicated notion of identity, offering a prism through which the term 'Asian' can be understood to make sense of a complex set of relations. The self crystallizes in moments of solidity, only to dissolve and whirl away again. The poet is a windsock, catching all the affect that blows at her and ballooning to fullness, only to empty again when the wind changes direction. Iron Goddess of Mercy is a game of mah jong played deep into the night, an endless gamble. Presented in sixty-four fragments to honour the sixty-four hexagrams of the I Ching, Iron Goddess of Mercy also borrows from haibun, a traditional Japanese form of travel writing in which each diary entry closes with a haiku. The poem dizzies, turns on itself. It rants, it curses, it writes love letters, but as the Iron Goddess is ever changing, so is the object of her address: a maenad, Kool-Aid, Chiang Kai-shek, the economy, a clown, freedom of speech, a brother, a bother, a typist, a monster, a machine, Iris Chang, Hannah Arendt, the Greek warrior Achilles, or a deer caught in the headlights. Finally, a balm to the poem's devastating passion and fury, Iron Goddess of Mercy is also a type of oolong tea, a most fragrant infusion said to have been a gift from the compassionate bodhisattva Guan Yin. Summoning the ghosts of history and politics, Iron Goddess of Mercy explores the complexities of identity through the lens of rage and empowerment.
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